To the frozen north, and Torgeir Vassvik, an “Arctic soundpoet” from the Sámi region of Norway. It’s a track that still sounds utterly new and modern. Instant Pussy by Matching Mole features him wailing, ululating, croaking in multiple overdubs. Robert Wyatt is another artist who has frequently transcended language. There’s still an unsettling moogy buzz that turns up later, though.ĭavid Crosby’s Song With No Word’s (Tree With No Leaves), a glorious west coast sunset of a song, doesn’t need a single word to get its message across. By 1968, however, the tide was low and they seemed to take comfort in simple, comforting tunes such as the wordless Passing By.
#Karl denver wimoweh lyrics update
The Beach Boys took wordless backing harmonies to new levels, with a thrilling update on the close harmony sound, doo wop’s vocal gymnastics and scat. See a hugely entertaining interview with Barbara here. Her album Vocal Shades and Tones is a sought-after cult classic, and Hot Heels is a highlight. Frances Lai’s Theme for the gloriously romantic film Un Homme et Une Femme is almost certainly the most influential, although Italian composers probably took the idea to its furthest limits.īarbara Moore was a member of The Ladybirds, the BBC’s go-to female backing group, but was also a talented composer and arranger operating in the world of library music.
There’s a whole collectors’ genre called shabadaba based on the wordless vocals that were perfect, non-distracting background music for films. This performance by Karl and his trio in the mid-70s, after they’d bought a wah-wah pedal, is quite something. Karl Denver’s Wimoweh is a brilliant example, a version of Solomon Linda’s South African hit that dispenses with words entirely in favour of sheer yodelling, growling, yelping madness. The early 60s,just before the beat explosion crushed everything in its path, was a hugely open-minded period, with artists seeking inspiration from all over the world. An American in Paris, Ward Swingle, founded a vocal group who scatted Johann Sebastian, and the Swingle Singers version of Fugue in G Minor still sounds fresh and brilliant today. In 50s Paris, Jacques Loussier showed that Bach could swing, establishing the composer as one of the most universal influences on the 1960s. Bas Sheva’s Lust, an astonishingly dramatic piece of music performed with Les Baxter’s Orchestra, shows just how wild things could get in the tiki lounge. The 50s saw scat singing going mainstream, as well as vast amounts of easy listening and exotica records that were perfectly adapted to the new long-player format, and upon which lyrics were, if anything, a distraction from the ambient intention. But most would agree that it was Ella Fitzgerald who really popularised the from, as well as mastering it to an incredible degree. Scat singing dates back well before Louis Armstrong, and has proved remarkably adaptable, from the humorous nonsense songs of Slim Gaillard to Dizzy Gillespie’s bop stylings. But yodel they do, and here’s Jimmie Rodgers’ Yodeling Cowboy to prove it. Cowboys ride the range with ornery steers and tumbleweeds, far from the edelweiss and valleys of the Tyrol, so it’s a mystery why they yodel so much. I love the things you learn from doing the guru’s job here, and this week they’ve included David Crosby (who I’d never got around to before) some amazing Indian konnakol performances incredible jazz singers and the outrageously weird sound of throat singing.īut to start let’s saddle up. We use it because we’re mimics, because we’re clowns, because we love using our voices, and because we experience profound and intense feelings that words fail to express. Non-verbal singing is common to all cultures, instantly accessible by almost any human and may even transcend species.
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